Lucie the Quebecker and Nicole the Frenchwoman with the "funny accent" are both twenty-six, single and share their Montreal apartment as they share their joys and sorrows. The first works in radio, the second in an airline company, and both have a married lover who, every Friday evening, rushes off to a home that has been forsaken for a while, saying: "Bye, see you Monday"...
Maurice Dugowson
Director
Miou-Miou
Nicole
Carole Laure
Lucie Leblanc
Claude Brasseur
Arnold Samson
David Birney
Frank
Gabriel Arcand
Georges, the bartender
Alain Montpetit
Jack Davis
Frank Moore
Robert Lanctôt
Denise Filiatrault
The airline lady
Renée Girard
Madame Leblanc, Lucie's mother
Andrée Pelletier
Juliette, Lucie's sister
J. Léo Gagnon
The man with the dog
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
A family comedy that combines fantasy and normal school life.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
Although bogged down by a slow pace and moralistic intent, ‘Deadly Garage Sale’ (2022) makes the most of its silly and nonsensical premise.