Opposing the Reviews for "Horse Girl"
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.

Ina Langston, devastated by the turmoil of unceasing sorrow, is wrestling with her desire to end her time on Earth and her love for the two most important people in her life: Constance, her girlfriend and Oscar, a ghost. On Constance and Ina's anniversary Ina admits to Constance that she loves Oscar with the hope of somehow preserving a fragment of their relationship but is instead told to drop dead. Ina and Oscar, feeling detached from their world and summoned by the pull of the tide, choose to make an irreversible decision rather than dwell in never-ending unhappiness.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
'The Worst Person In The World' follows a part of life I don't see often portrayed on-screen: extended adolescence.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
'The Lovebirds' is one of those movies that has a very direct appeal when it comes to its comedy. There isn’t a singular style, so much as tidbits of various ones here and there.