“The Odyssey” and Moving Forward
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved

In the city of gold as they call it, Palenque, Jean, Rose and Machete find themselves immersed in a marginal world trying to survive with the opportunities that the city offers them, with the anguish of being deported, with the temptation of the easily earned money. They look for another El Dorado or return, broken by the environment, from where they came. Some flee, others die in this sordid environment. They are human beings, mostly Colombians, who live in Venezuelan society, whose culture they enrich, perverting or adopting.
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
If you’ve been itching for a sign to finally go on that unforgettable summer camping trip, this is it.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.