A Tale of Two 'Scenes from a Marriage'
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.

Smoke, sparks and steam dance together in Cornell's found-footage collage. Backwards title cards (or an alien language, if you like) punctuate this mishmash of the industrial and the ancient.
That gut-wrenching feeling you have while watching it is okay but needed, and you, the viewer, will be okay.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
‘A Good Person’ makes it clear that forgiveness is hard.
This is not a story of oppression but a story of liberation.