'The Polar Express' (2004)
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.

Alex, Chris, Dirty Harry and Christian are some of the luckiest men on earth, grouped up with two females apiece who live to rim their assholes like it was their last meal! They don't hesitate to drop to their knees and stick a warm tongue deep in that dark hole, touch the tip of their cocks to their tonsils and then beg for an anal gaping in return!
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
‘Better Than Chocolate’ isn’t perfect, but it sure has charm! The characters are great. Some took longer to grow on me than others, but ultimately they’re all compelling! I appreciate how a select few help those around them to grow.
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".
Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.