“Selena: The Series": A Disservice to Selena’s Legacy
'Selena: The Series' loses sight of the story's heart: Selena herself.

The Dutch director A.H., born in Noord-Brabant, has been experiencing pressure from his family for years to focus more on his Moroccan identity. Aiman does not feel the need, because he considers himself a Dutchman, too. In this personal documentary, he examines the cultural differences between himself and his family, before he will have to cut some knots. Either he conforms to the wishes of his family or he follows his own path, possibly jeopardising the relationship with his parents.
'Selena: The Series' loses sight of the story's heart: Selena herself.
Marvin Gaye's powerful music addresses the same themes as "Da 5 Bloods" and elevates the film to even greater heights.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.