Luisa is beginning to forget, sometimes getting lost in the maze of her memories. At the bus station, she writes texts in an attempt to safeguard her memories, especially those involving the great love of her youth.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
While everyone was going gaga over The Odyssey, Desert Warrior was quietly taking audiences on an epic Arabian “knights of the sand table” adventure
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
You've heard the phrase “If looks could kill,” but have you heard “If dancing could kill?” Pretty Lethal takes that idea and runs with it.
When a group of White women are invited to dinner by an Indian woman and a Black woman to talk about race in America, sparks fly.
