Burguesia Sem Religião 

How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.

Tara Thorne’s film is equal parts emotional and comedic, illustrating the beauty and the pain of long term relationships.

‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.