Samantha Mitchell’s “RSVP” : Incluvie Film Fest
“There’s always something you can do…to make people feel like they’re welcome”

Two small-time goons Bada Bruce Lee (Bruce Lee Senior) and Chhota Bruce Lee (Bruce Lee Junior) grab hold of the dreaded gangster Anand, hailed in the underworld as Bulletproof Anand. Anand earned that title because of his notorious history of escaping death despite more than 27 attacks on his life. Starring Festival Favorite Actors Sanjai Mishra, Anshuman Jha and Jaaved Jaafery in a never seen before avatar Bullet Proof Anand is an ode to the verbose 90s Gangster films. This is the story of three misfit gangsters, an elusive femme fatale and a lit dynamite in a hapless location.
“There’s always something you can do…to make people feel like they’re welcome”
A group of criminal animals tries their best to reform themselves into good citizens to avoid serving time in prison.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Attack of the Killer Tomatoes: Organic Intelligence is not merely the fourth sequel in a cult classic film about a delicious vegetable apocalypse: it’s a love letter to slapstick, sight gags, and the original 1978 film. It’s also a meta-comedy, spy-thriller parody taking place in a world where the original film series was a documentary about the horrors of the Tomato War that the government covered up by convincing everyone it was a comedy. Taking place in 2026, Organic Intelligence sees genetically modified tomatoes grown out of control and rising up to attack humanity again - luckily, Agent Maria Sifuentes (Myrna Velasco) of the Federal Vegetable Investigation Bureau is there to uncover the corporate conspiracy behind it, and she won’t take no for an answer.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.