Like a cross between Harmony Korine’s work and Tim Hunter’s cult classic River’s Edge, Bugs follows a group of teenagers as they plan their weekend and jostle for position in the complex hierarchy of teenage social networks. Meanwhile, in nearby bushland, lies the corpse of Amanda. But, oddly, no one seems to care.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
‘Babylon’ is an exhilarating journey one has to brace themselves for
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
