'Swan Song' is a Scattered But Sincere Story of Small-Town Redemption
Udo Kier takes center spotlight in 'Swan Song' as Pat Pitsenbarger, a gay beautician who comes out of retirement for one last job and rediscovers himself along the way.

Peter and Michael, raised on the streets of Philadelphia, are the children of Irish mob members, forever linked by the crimes of their fathers. 30 years later, Michael now runs the criminal organization and lusts for more power, his dangerous antics frequently held in check by his cautious cousin Peter. Haunted by the death of his sister, whose passing destroyed both his parents, Peter is caught between the dreams of childhood and the realities of his life as an enforcer. His only reprieve is a local boxing gym, a sanctuary that is quickly threatened as Michael’s desire for control escalates.
Udo Kier takes center spotlight in 'Swan Song' as Pat Pitsenbarger, a gay beautician who comes out of retirement for one last job and rediscovers himself along the way.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
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