Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Brother Sun, Sister Moon poster

Brother Sun, Sister Moon (1973)

In his delirium from his return from war, Francesco Bernardone goes back in his memories to the days when he lived for parties and carnal pleasures. He slowly recovers, but after the illness he is no longer the Francesco that everybody knew. Instead of spending hours in taverns, he meditates on the beauty of God's creatures, soon renouncing his riches and his family with plans to rebuild an abandoned church and his life.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


In his delirium from his return from war, Francesco Bernardone goes back in his memories to the days when he lived for parties and carnal pleasures. He slowly recovers, but after the illness he is no longer the Francesco that everybody knew. Instead of spending hours in taverns, he meditates on the beauty of God's creatures, soon renouncing his riches and his family with plans to rebuild an abandoned church and his life.

Rating:PG
Genre:Drama, History
Directed By:Franco Zeffirelli
Written By:Suso Cecchi d'Amico, Kenneth Ross, Lina Wertmüller, Franco Zeffirelli
In Theaters:3/3/1973
Box Office:

Runtime:121 minutes
Studio:Euro International Films, Vic Films Productions, Paramount Pictures

Articles You May Like


"She’s Gotta Have It” was Ahead of the Curve in Portrayal of Female Sexuality

In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.

Andrea Amoroso