EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

East Berlin, 1973. Eighteen-year-old Hans Bronstein and his girlfriend arrive at his parents’ summer house to find a former Nazi camp Kapo chained there—employed when Hans’s father Arno and his friends were prisoners. Hans demands legal justice; Arno insists on his own retribution. Sister Elle, traumatized into institutionalization, cannot mediate. When Arno forces a confession, Hans frees the prisoner, confronting their irreconcilable pasts.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
This is a film that is going to leave some people bored, and some people thrilled.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
Frozen II is not quite direct to DVD Disney sequel level, but if it wasn’t for the spellbinding animation and budget, it certainly would be.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
This may be controversial… but 'The Marvels' is actually one of the best movies in the MCU. 10 reasons why 'The Marvels' killed it.