
Jim Matthews, express agent in Red Rock, Arizona, and his daughter Alice, are watching anxiously over the bedside of Mrs. Matthews, who is very ill. An express box of money is now left by the stage and Matthews is ordered to guard it overnight. The "Arizona Kid," a notorious bandit, who has followed the stage and watched while they left the box, now gallops back to the rendezvous of his pals, tells them of the easy chance to rob the office and they start at once. Meanwhile Alice has sent her father for a doctor and is all alone with her sick mother.
Director Dana Ziyasheva made her directorial debut, 'Defenders of Life' which focuses on the Ngäbe community, and the hardships Ngäbe girls faced in Costa Rica.
2025 has just about wrapped, so we’re taking this time to celebrate the most inclusive films that came out this year. Graded on Gender, Race, LGBTQ, Disability, and more
There is a lot of controversy around Q-force. It’s certainly not hard to see why—the series is quite hyperbolic. I will say, that was the first aspect I noticed on my initial watch. Right from the get-go Q-Force barrages you with gay joke after gay joke. This is hit or miss throughout the series.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.