Two Afghan illegal aliens take a walk at night. To the rhythm of their nocturnal stroll, we see how the Dutch reality, from bare mattresses in a condemned building, breakdancing in the street to running from the police, is at odds with their phone calls to relatives who stayed behind and have both concerns and high expectations. To reassure the home front, one Afghan takes a picture of himself in front of a nice house and expensive car.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
Although Fargo is not actually based on a true story, I do believe it is worth the watch. It has drama, suspense, and a mysterious figure to keep you engaged.
This horror movie combines elements of horror and babysitting with Black representation.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
