Dead Poets Society Steals a Queer Story
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

Brodie is the kind of guy you want to hang out with at a party. He's a big, strapping construction worker by day and a drummer in a rock band at night. Brodie's body is thick, muscled and slightly hairy in all the right places. He has a boyishly handsome face, and he's very masculine in presence and demeanor. "What's your favorite part of your body?" "My favorite part of my body would have to be either my bubble butt or my erect penis." (We at Sean Cody have to add perfect chest and nipples, too!) Adding to this total package was his fucking abilities. Not to be missed. You can't go wrong when Brodie's involved. Check him out.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like