A Closer Inspection of LGBT Characters in Film
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.

Brothers Bert and Holger are going to sell their parental home as they are both in need of money. Bert's plan is to take the entire sum himself and leave his brother without. Holger's wife, Stina, begins to suspect that something is up, but since Bert has a hold on her, it will be difficult to stop him. While the house has been empty, the neighbors, Våge and his daughter Wilma, have been taking care of the house. And since Våge and Wilma are a bit broke, they have simply sold their house and moved in there, without informing the brothers about this. Bert has brought in a realtor, Jarl, who obeys his every whim. The problem is that Jarl has forgotten the contract, so now his assistant comes there with it, the assistant is also Jarl's twin brother Henry. Now it becomes difficult to know who to trust. To top it all off, the village postman, everyone's dear Dag-Otto Flink, ends up in the middle of the house sale. With him he brings the newly moved Florence who has her own agenda.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.