Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Bride of the Werewolf poster

Bride of the Werewolf (2019)

After two women are attacked on a desolate road they take refuge at the home of a kind-hearted stranger named Saul who harbors the dark secret of lycanthropy. Can a professor experimenting with the secrets of the Pharaohs cure Saul, or will a battle between the Werewolf and a freshly reanimated Mummy be the end for them all?
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


After two women are attacked on a desolate road they take refuge at the home of a kind-hearted stranger named Saul who harbors the dark secret of lycanthropy. Can a professor experimenting with the secrets of the Pharaohs cure Saul, or will a battle between the Werewolf and a freshly reanimated Mummy be the end for them all?

Rating:
Genre:Horror, Action, Thriller, Romance
Directed By:Mark Polonia
Written By:Mark Polonia
In Theaters:9/19/2019
Box Office:

Runtime:71 minutes
Studio:Polonia Brothers Entertainment

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger