The Problem with Netflix's 'Red Notice'
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.

Comedian Brian Hooks hosts this stand-up comedy extravaganza starring five of the freshest male mouths around. Hooks (who stars on the UPN show "Eve") kicks off the show with his own ingenious stand-up routine, followed by comedians Rodney Perry (Johnson Family Vacation, Cedric the Entertainer's "Starting Line-Up," Malibooty), Roman Murray ("Comicview"), Darryl Brunson (Chatroom and "Comicview") and George Loving Jackson (The Luau).
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.
As legal dramas go, we rarely see an African-American actor in the lead role. "The Burial" has several.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
The Gates, John Burr’s new thriller film, is a disturbingly realistic portrayal of three Black twenty-somethings - Derek (Mason Gooding), Kevin (Algee Smith), and Tyon (Keith Powers), as they accidentally take a wrong turn into a gated community that’s more like a modern-day sundown town. The three friends witness a variety of crimes in their new surroundings, including an attempted homicide and an attempted rape. As they attempt to alert the authorities and do the right thing, they are thwarted at every turn by the worst horror stories of American conservatism - racist white suburbanites, reckless gun violence, corrupt police, religious mania, and a megalomaniacal pastor.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.