Getting Lost in Amsterdam
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

It's the Christmas season and a lonely woman goes on a blind date unbeknownst to her that her date is an active and notorious serial killer, The Brentwood Strangler. Is this love at first sight? Or the worst (and last) date of her life?
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
Thunder Force brings much-needed diversity to the superhero genre. Unfortunately, it's also an uninteresting and unfunny mess.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
An excellent exploration of taking a joke too far.