"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

This heterodox work draws on fiction resources and the register of documentary to denounce the phenomenon of rape in Mexico. With a complex essay-like structure, the film is a reflection on the various types of sexual violence, from the classist legal apparatus and the connivance of religious institutions, to rejection of and discrimination against victims. At the same time, it introduces community alternatives for victim support. A project by “Cine Mujer,” this film exemplifies the group’s motto and mode of production, and thus one of the maxims of feminism: no personal solutions; only collective action for collective solutions.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
This Pride month, Hulu’s 'Love, Victor' comes to a close with its third and final season—it’s most complicated yet sweetest season yet.
John Walker is named the new Captain America and The Flagsmashers run amok.
A 2022 remake of the previous films of the same name, but with a more diverse cast, increasing representation and diversity.