Berlin, 1980, Paul-Lincke-Ufer / Harzerstraße. The old Wall is being torn down. A view of East Berlin opens up. The new Wall is being built.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
Through its morbidly humorous storytelling, Wednesday tells a tale of a world divided that explores the manifestation of generational trauma in its protagonist Wednesday Addams.
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
