“Onslaught” is Insensitive, to Say the Least
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.

Maria Eduarda, a cowgirl from the backwoods of Pernambuco, Adelino, a farmer from Pantanal, Mato Grosso do Sul, Augusto Leal Filho (Nico) and Pedro Costa (in memory), Marajoara cowboys, Pará, and Afonso, a cowboy from the Pampas Gaúchos. Among them, the relationship with the place, with the animals, with freedom and with the heritage of the craft that has been passed down for generations. The story of one of the oldest works in Brazil, based on the record of the daily bravery of working in the field.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
2025 has just about wrapped, so we’re taking this time to celebrate the most inclusive films that came out this year. Graded on Gender, Race, LGBTQ, Disability, and more
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.