Brave Without Boundaries 

Behind all the action, 'Space Sweepers' is a surprisingly heartfelt and progressive story about building community.

Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.

An anti-war film denouncing the valorization of senseless violence, 'All Quiet on the Western Front' is (unfortunately) all too relevant in 2022.

Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.

Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.