'How Power Looks' — MiamisFF Review
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.

From the cliffs of the Isle of Wight to an abandoned swimming pool in Lambeth, Boys On Film 8: Cruel Britannia presents an eclectic mix of ten UK-set short films including: Harry Wootliff's "I Don't Care" starring Iwan Rheon; Ben Peters's "Downing" starring Jamie Brotherston and Ross William Wild; David Andrew Ward's "All Over Brazil" starring Iain De Caestecker, Frank Gallagher, and Gemma Morrison; David Leon and Marcus McSweeney's "Man and Boy" starring Eddie Marsan, Geoff Bell, and Eddie Webber; Aleem Khan's "Diana" starring Neeraj Singh; Jason Bradbury's "We Once Were Tide" starring Alexander Scott, Tristan Bernays, and Mandy Aldridge; Hong Khaou's "Spring" starring Chris O'Donnell and Jonathan Keane; Sybil H. Mair's "The Chef's Letter" starring Jonathan Firth, Ray Fearon, and Layke Anderson; Faryal's "What You Looking At?!" starring Rez Kabir, Michael Twaits, and Hussina Raja; and Dominic Leclerc's "Nightswimming" starring Harry Eden, Linzey Cocker, and Tim Dantay.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
Striving for validation. Let’s be frank….we ALL want to be successful. Whatever we put our efforts into, ideally it is to make it culminate in the best possible results across the board, especially when it comes to what career path we are pursuing. We WANT to excel, to shine, to advance, to be acknowledged. AND…let’s hope that we also wish to better everyone around us to boot. However, what occurs when those whom we initially put our trust in suddenly become a burden instead of a boon? Do we falter under the weight of rejection? Or STAND UP for WHO WE ARE?
Carolina Caroline follows Caroline (Samara Weaving), a bored young woman dreaming of escaping a small Texas town where nothing ever happens. When she meets Oliver (Kyle Gallner) at her workplace while he is conning the owner, she sees her perfect opportunity to get out. Their whirlwind romance strongly echoes Bonnie and Clyde, as the two quickly embark on a bank-robbing spree.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.