Boys On Film showcases short works from around the world that challenge genre, initiate discussion and explore issues of sexuality in beautiful ways. Volume 11: We Are Animals contains eight complete films: Dominic Haxton's "We Are Animals" starring Daniel Landroche, Clint Napier, and Drew Droege; "Burger" from director Magnus Mork; Shaz Bennett's "Alaska Is A Drag" starring Martin L. Washington Jr., Spencer Broschard, and Barret Lewis; Carlos Augusto de Oliveira's "Three Summers" starring Morten Kirkskov and Simon Munk; Nicholas Verso's "The Last Time I Saw Richard" starring Toby Wallace, Cody Fern, and Brian Lipson; Eldar Rapaport's "Little Man" starring Daniel Boys, Darren Evans, and Jamie Thompson; Rodrigo Barriuso's "For Dorian" starring Ron Lea and Dylan Harman; and Bryan Horch's "Spooners" starring Walter Replogle and Ben Lerman.
Rodrigo Barriuso, Dominic Haxton, Carlos Augusto de Oliveira, Eldar Rapaport, Magnus Mork, Shaz Bennett, Bryan Horch, Nicholas Verso
Director
Daniel Landroche
Nathan (segment "We Are Animals")
Clint Napier
Peter (segment "We Are Animals")
Drew Droege
George (segment "We Are Animals")
Akram Akbari
Akram (segment "Burger")
Zaman Ahmadi
Zaman (segment "Burger")
Matthew Ashford
Matthew (segment "Burger")
Emily Barber
Emily (segment "Burger")
Charlotte Brimble
Charlotte (segment "Burger")
Neal McWilliams
Neal (segment "Burger")
Gareth Wilson
Gareth (segment "Burger")
Martin L. Washington Jr.
Leo (segment "Alaska Is A Drag")
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.
The Forge is a moving story about a young man’s search for purpose. Through mentorship, discipline, and faith in God, his life is transformed from confusion into clarity, reminding us that true greatness is shaped in the fire of surrender and growth.
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.