What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

When four young boys are partying in a hotel room in downtown Stockholm, the rowdy jargon takes over and the rambunctious mood switches to fear. André Vaara explores masculinity and homphobia and moves these teenage boys into dangerous territory.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Featured in Incluvie’s 2020 Film Festival, Kung Fu Chit tells the story of a girl who doesn’t quite fit in.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
I am an Armenian who has a mild form of epilepsy. I rarely see Armenian culture and epilepsy properly portrayed in film or TV. I delve into the how and why.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.