“The Social Reckoning” Fails to Reckon with Society
While this film thinks that it is diagnosing the cause, it is merely diagnosing a symptom instead.

Kingdom of France, late thirteenth century. The Templar Foulques, back from the crusade, is given the task of escorting Theobald, a sodomite knight, to the city where he must be judged and punished. Accompanied by three mercenaries, the heretic and the soldier of God are engaged in an arid and burning scrubland.
While this film thinks that it is diagnosing the cause, it is merely diagnosing a symptom instead.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.
Rare in the days of franchise sequels and indie horror films that dominate the screen in 2026, Netflix’s latest original release, Remarkably Bright Creatures, is a feel-good family movie that leaves nothing to be desired except tissues. Starring Sally Field and Lewis Pullman as two cleaners at a small-town aquarium, Remarkably Bright Creatures reminds viewers that humans are social animals whose strength comes not from our intelligence or our opposable thumbs, but from each other.