'Run This Town' is Ford-ified by Rob's Depletion
'Run This Town' takes an unflinching look at the Rob Ford scandal that shook Toronto to its core while using fictional millennials to drive a concise story .

A total solo. In the center of a huge space, alone on a constantly shrinking stage, Jeanne Added engages in a hand-to-hand ballet with the camera. With Both Sides, Jeanne Added has invented a pure performance by sculpting her playing space into this huge white stage, suspended in the middle of nothing. Alone, without any pomp, the artist gives herself over completely to her vocals and dancing. An allegory of the dance floor, of a space that, by shrinking, opens itself up to immensity; or the struggle of a solitary figure, who fights while dancing, as the ground moves beneath her feet. The film of this live performance is unusual: a visual confrontation, a powerful musical battle, the pared-back presentation invites the spectator to share a unique experience. Exuding a singular and unique charm, this “living UFO” gives us an unprecedented perception of Jeanne’s intense music.
'Run This Town' takes an unflinching look at the Rob Ford scandal that shook Toronto to its core while using fictional millennials to drive a concise story .
'Don't Make Me Go' is what you would expect, Wally and her father, Max, clash tremendously and don't understand each other. Although, it's very heartwarming.
In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.
Some moments of the series are intense and ends on a cliff-hanger that will have you yearning for a second season.
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Released on Netflix this last July, Mile End Kicks, catches the eyes of those who are wanting to escape the disasters of 2026 and visit the era of peak Tumblr, unforgettable music hits, and iconic fashion trends—-of 2011. This coming-of-age film directed by Chandler Levack succeeds at portraying an accurate representation of what life was like in the early 2010’s.