Knives Out: Sharpest Writing of 2019?
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes

The gynecologist Marta lives peacefully with her son Nathan in the run-down country house of the rich journalist and system critic Roland - until the poor migrant worker Valmir is called in as a handyman and brings forgotten secrets back to light. In this visually stunning chamber drama, which is also a socio-critical family thriller, author Karin Kaçi and director Sebastian Ko relentlessly expose the sins with which the privileges of prosperity are bought - and the price that must ultimately be paid for them.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
A brave Indian woman rises from an oppressive background to become an inspired leader for women and men alike around the globe.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
As I typed this, Chris Evans was being “cancelled” on Twitter. I did a little research on this since I always thought Chris Evans was well-received. It turns out the backlash is because of a white savior movie he made called Red Sea Diving Resort.
He’s a nine-time Oscar host and a revered comedy legend. He’s an up-and-coming comedy star who was a voice in the biggest animated movie of all time. So what happens when these two are forced to work together?