Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Born Into Mafia 2 poster

Born Into Mafia 2 (2016)

Jack is a divorced, ex CIA agent, living in his disabled father's home (Jeff the Drunk from the Howard Stern Show), His daughter Sharon, wants to become an actress and needs her father's signature permission to fly to Hollywood for Black Casting Couch Auditions, where she eventually gets kidnapped by ISIS. They Kidnapped the Wrong Daughter, as her father Jack, possesses a particular set of skills.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Jack is a divorced, ex CIA agent, living in his disabled father's home (Jeff the Drunk from the Howard Stern Show), His daughter Sharon, wants to become an actress and needs her father's signature permission to fly to Hollywood for Black Casting Couch Auditions, where she eventually gets kidnapped by ISIS. They Kidnapped the Wrong Daughter, as her father Jack, possesses a particular set of skills.

Rating:R
Genre:Thriller, Crime, Action
Directed By:George Anton
Written By:George Anton, Elias Zeitounian, Miloš Momčilović, Derris Nile
In Theaters:2/21/2016
Box Office:

Runtime:67 minutes
Studio:

Articles You May Like


"Nobody 2 is Ridiculous in All the Right Ways"

“Nobody 2” is the kind of sequel you expect to roll your eyes at—and then end up grinning through the whole thing. Bob Odenkirk proves once again that an ordinary-looking guy can be the most entertaining action hero alive, battling cartels with harpoons, deep fryers, and pure chaos. Toss in Sharon Stone as a delightfully over-the-top villain, and you’ve got 89 minutes of wild, joyful mayhem that reminds you why going to the movies is just plain fun.

Nilufer Ozmekik

Why "The Birdcage" is Still Worth Celebrating 25 Years Later

Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.

Matt Geiger