
During late 1950s in Venezuela, nine-year-old Elizabeth’s summer break takes a wild turn when her little brother Leo vanishes into the jungle. She must swap her books for bravery not only to find her brother but also to rescue a mystical furry animal from captivity and bring him back up to the legendary Tepui mountain.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.