This is the little-known story of an extraordinary, highly charismatic and adventurous character, born in 1900 in Tsarist Russia. A member of the nobility, Boris Skossyreff was a Nazi collaborator, “assistant” to the Queen of the Netherlands, but above all self-proclaimed king of the Principality of Andorra in 1934, quickly chased away by the French and Spanish authorities. Involved in the great conflicts of the 20th century from which he always emerged unscathed, this enigmatic man was in reality a professional crook and forger, but also a gigolo, organizer of orgies… An unpublished documentary, based on a fascinating investigation carried out over more than a decade, in collaboration with an international team of historians and advisors.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
We're in the midst of July, the month in which Americans are supposed to be at their most patriotic! With barbecues, beach trips, and fireworks galore, this is the month where we celebrate our country. For Incluvie, that primarily means diving into the wonderful "melting pot" of the diversity of American film! In between celebrating and feasting, it's important to remember the very basis this country is founded on: "liberty and justice for all."
I was able to sit down and talk with up and coming producer and director Ryan Polomski who talked about his latest project Raymond Lewis: LA Legend. It's a documentary about basketball star Raymond Lewis and here is what I found out.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
