Rex Allen ('Rex Allen'), a U. S. government veterinarian, rides into the picturesque town of Pine Rock, near the Canadian border, to take the place of the regular vet who is on vacation. Used to doctoring animals in Texas, Allen finds out that herein the heart of the fox-farming industry, he is to doctor the most finicky and high-priced of fur on four feet. On the farm of Mel Richards (Tom London), Allen learns the habits of the valuable creatures from Richard's niece, Jane (Mary Ellen Kay, and her ten-year-old brother Danny (Jimmy Moss'), and on his own learns that the trusted owner of the trading post, Steve Baxter (Roy Barcroft) heads a gang that is smuggling counterfeit money across the American/Canadian border in the fox cages.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
We all have our kinks and fetishes and what turns us on the most. Dog Lover details a serious (and at times unhealthy) look at a fetish that might go a little too far.
Cursed is based on Frank Miller’s graphic novel, and is a retelling of the Arthurian legend with a twist. Instead of King Arthur gaining Excalibur, a teenage sorceress named Nimue (Katherine Langford) does. Her people — the Fey — are being hunted down, and so Nimue will do whatever it takes to save them.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
'Don't Lose Your Head' follows the motto of "grades aren't everything."
