Roald Dahl's "Matilda the Musical"
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.

Booha, a butcher coming from the countryside to Cairo to find the man whom his late father left his money with, gets tangled in the big city, finds love with Kotta, and gets exploited by Farag.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
The tale of two friends spans three films and gives wonderful representation for young girls everywhere.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
The external threat invaded the domestic environment at the most valuable moment: grieving.