"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Jim Davidson is back with his most outrageous show ever - BOOBS IN THE WOOD! This hilarious Adult Panto, exclusive to video, captures the filthy follow-up to the Saucy SINderella in all its shocking glory. Strictly for GROWN-UP girls and boys only! This X-Rated Panto sees Jim playing the WICKED Sheriff of Nottingham, who has his eyes on a bag of loot, Maid Marion's assets and anything else that takes his fancy. He may even get his WICKED WAY - unless Robin and his Merry Men can stop him. Filmed in front of a packed house, the hysterical BOOBS IN THE WOOD is BIG, BAD, RUDE and CRUDE - and sure to leave you in stitches
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
In My Octopus Teacher, documentary filmmaker Craig Foster models healthy masculinity by showing us a trusting, gentle, and emotionally fulfilling bond with an octopus.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Gotham City Sirens needs a female voice behind the camera. So, on the chance someone from DC films is reading this, here are ten female directors who would be good choices for Gotham City Sirens.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.