'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

Mauricette Bonnarien, a 27-year-old woman, works at the port of Dégrad des Cannes as a dockworker. The rest of the time, she performs slam poetry. Very self-conscious about her surname, given to her ancestor when slavery was abolished, she has begun the administrative process of changing her name. Only her mother knows about it. Now it's time to tell the rest of her family and friends.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
The sequel to the 2021 remake of the same name continues from where we last left off in this spooky adventure.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.