Dorothy Phillips was starred as Elinor Crawford, a small-town girl who becomes a reporter on a big-city newspaper -- and immediately plunges into the "Bohemian" lifestyle. Assigned to interview a condemned murderer, Elinor must first obtain permission from criminal lawyer Evan Klavert (William Stowell), who happens to hail from Elinor's hometown and who prudishly disapproves of her current mode of living.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
Meander, released in 2021, is a French gory horror film featuring a woman trapped in small spaces as she fights for her life, paralleling real pandemic life.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
