Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

An irreverent tribute to French Prairie culture.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Happy Gilmore 2 is the perfect comedy to take you back to a simpler time
"Terrace House" improves on the standard reality TV format by affording its cast privacy, freedom, and respect.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
‘The Bear’ Season 2 has all the right ingredients for both comedy and drama.