"Pike River" Takes Us Into the Tragic True Story
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.

Jonas and Silvia are enjoying a wonderful sailing holiday in the Mediterranean sea. But while sailing through the night, far away from land, they discover an overloaded refugee boat, close to sinking. They are shocked, but too afraid to help. So they call the coast guards but lose the boat out of sight into the darkness of the night. In the early morning they find themselves drifting through an ocean of dead bodies. The refugee boat has sunk. Jonas and Silvia manage to pull a few survivors out of the cold water: Syrians. This rescue marks the beginning of a dramatic conflict between the hopes and dreams of the refugees, and the fears and ideals of the holiday sailors.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
This live-action Barbie movie brings strong feminism and topics about blondes.
When most of us think about diversity in film, we usually think about three things: race, gender, and disabilities. However, there is a forgotten topic... age. These are 12 of the best films about growing old.
At this time, there are 29 films in the Marvel Cinematic Universe's epic multiverse of superheroes and villains. The MCU has become quite marvelous indeed, with Shang-Chi and the Legend of the Ten Rings as the newest one. There are so many interwoven stories, themes, character arcs, timelines, and dimensions! In order to keep track of the MCU saga and figure out what to watch when, here’s a list of those that have come out -- as well as what's coming up! With links to the Incluvie movie - plus related articles and Incluvie scores.
I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.