Shudder’s 'Cursed Films' (Review)
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.

Sgt. Chuch Brennan always disliked playboy and hotshot, Col. Jim Herlihy. Now Chuck has even more reason to, Jim is dating his daughter, Lois.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.