Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
Growing up without a dad, I got a lot of my fatherly advice from the prototypes I saw on the silver screen. It’s these characters and films that gave me a glimpse into a dynamic I had never known but also made me realize that I was missing out. Here are my top 10 paternal films.
Although Fargo is not actually based on a true story, I do believe it is worth the watch. It has drama, suspense, and a mysterious figure to keep you engaged.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.