'You People' is as Glossy and Uneven as its Predecessors
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.

Talib Shah Hossaini, a 37-year-old Afghan filmmaker and asylum-seeker, lives in Moria on the Greek island of Lesbos – the biggest refugee camp in Europe until it burnt to the ground in autumn 2020. One year into his life in the camp, Talib Shah finds himself on the verge of losing hope. Instead of giving up, however, he decides to shoot a film called Picnic − an insider’s look at the lives of thousands of refugees stuck in a place sometimes described as a humanitarian disaster. Exploring topics such as dreams versus reality, art as a means of survival, or the current immigration policies in Europe, the film invites us to become better acquainted with the people who will soon be our neighbours.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.