A Haunting Portrayal of Motherhood in "The Lost Daughter"
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.

Touching upon art, trauma, madness and sexual perversion Blue Movie centers around Silvia who has suffered an attempted rape. She escapes the attack and is rescued by Claudio, a photographer who takes her under his wing. Claudio is obsessed by war images that tell of death, devastation and pain. While working with a supermodel, Daniela, it appears that their relationship is bordering sado-masochistic. Things slowly build, with a fair dose of nudity and perversion. Observing all this as best she can Silvia begins to fall in love with Claudio, however she struggles to discern between reality and her traumatic past, especially while Daniela, who is locked in a room, regresses to an almost bestial dimension.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Marvin Gaye's powerful music addresses the same themes as "Da 5 Bloods" and elevates the film to even greater heights.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.