She's a stone washed fox. Jamie, The Brat that started The Phenomenon. Back with a scorching tale of a girl and her wig stands. They see all. Because they sit on Jamie's bedroom counter. They know everything. Because the script says so. And they tell all. Because that's the story of the sexual mood swings of the Blue Jean Brat.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
Initially feeling like a passionate group having a bit of harmless fun with filmmaking, it leads to something sinister enough to leave a mark.
American Fiction is a genuinely entertaining film with a few lessons.
