Demonic Is Trippy Sci-Fi Fun, and That’s About It
It's good for your film viewing needs, but isn’t going to shake your world. Demonic is trippy sci-fi fun, and that’s about it. And that's pretty cool.

Trapped and lost in a crowded metropolis, the Grief navigates its way to find its missing owner. It has no timeline, it has no directions, and it is a cycle. The Grief evolves as it moves through different urban spaces & public transportation. As the Grief finds its missing owner, it has come to a realization that all this time, they’ve been together but both are lost.
It's good for your film viewing needs, but isn’t going to shake your world. Demonic is trippy sci-fi fun, and that’s about it. And that's pretty cool.
While this film thinks that it is diagnosing the cause, it is merely diagnosing a symptom instead.
Sam Levinson's latest film can't keep up with the excellence of its performances.
Mohit Suri’s Saiyaara (2025) is a soulful musical romance led by fresh faces Ahaan Panday and Aneet Padda. A heartfelt tale of love, grief, and emotional healing that’s taking the Indian box office by storm.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
The Sandman features a plethora of LGBTQ+ characters and is openly expressive about it!