Made with Washington DC's notorious gospel-punk outfit The Make-Up. The musicians seek "creative asylum" in a subcultural womb. This road movie is, in the words of a Parisian critic, "comme si Foucault roulait avec les situationistes dans le Scooby-Doo Van". It is both a lyrical document of a time and space(s) which no longer exist as well as a record of one of the most kick-ass bands on earth.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
Wuthering Heights— What is the cost of love?
The 'Black Adam' story is a blander copy of 'The Mummy', 'Moon Knight', and other Egyptian films made by Hollywood, taking place in the fictional Middle Eastern Kahndaq.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
Armed with a $400M budget and Tom Cruise’s death-defying stunts, Mission: Impossible – The Final Reckoning delivers pulse-pounding action even as its plot falters. From underwater silence to high-altitude madness, it's pure adrenaline powered by old-school movie magic — but is this really Ethan Hunt’s final mission?
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
