Swept Away by You, Me, and Tuscany
A Black woman centered in a box office rom-com with a happy ending and no struggle love.

Surreal worlds, elegiac images and romantic letters form a stream of suppressed memories. A young man discovers diaries and film reels of his recently deceased mother. Ukrainian director Igor Minaev melts his rarely seen shorts from Soviet times into an emotional journey into the past.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.