Kicking off the Summer with 'Malibu Rescue'
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.

Although Spencer Wellington (Howard Hickman) comes from an old, aristocratic family, he carries a bad gene. His doctor, John Rand (George Fisher) recommends that he never marry, but Wellington ignores his advice and weds Grace Valiant (Mary Mersch), who the doctor himself loves. Grace checks out Wellington's family tree and discovers the gene, but she's already pregnant. She gives birth to a child with a birth defect that kills him.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
In My Octopus Teacher, documentary filmmaker Craig Foster models healthy masculinity by showing us a trusting, gentle, and emotionally fulfilling bond with an octopus.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.