Originally shot in the summer of ’79 and released in May ’80 under the title of “La Strega nuda (The Naked Witch),” it tells of a young man (Danilo Micheli) who is tempted to a weird house by an ugly witch (Anna Massarelli) where he encounters a group of surreal characters in surreal circumstances. More a film of images and sensations than a cohesive storyline – including arresting shots such as the witch mutating from ugly to beautiful while circling Micheli, and the lead character foreseeing his own funeral escorted by bikers
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Season three of Netflix’s "You" has finally made its comeback! Was it worth the wait? Well…I would not say so. It felt like a bit of a chore to get through. But, as I am somewhat of a completionist, I eventually saw the season through to the end.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
A group of criminal animals tries their best to reform themselves into good citizens to avoid serving time in prison.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
